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Graphics Monitors

A graphics monitor differs from an office device in one respect that cannot be expressed in inches or hertz: it must display colours reliably and repeatably, so that what you judge on screen matches the final result in print, web or video. If you retouch images, approve layouts or edit videos, you need a display you can rely on.

Our selection of monitors for photo editing focuses on 27 and 32 inches, almost all with IPS panels and mostly in 4K. Two thirds of the devices can be connected via USB-C. If you want to draw directly on the screen, take a look at our graphics tablets and pen displays. Which device meets your colour requirements is explained in the Graphics Monitor Buying Guide 2026 below the products.

Graphics Monitors Buying Guide 2026


Graphic Monitor Buying Guide 2026

Graphic Monitor Buying Guide 2026: Color Space and Calibration

Decide quickly – which graphic monitor is right for you?

  • 27 inches in 4K: the most popular choice, offering a detailed display on a manageable screen
  • 32 inches in 4K: more space for tool palettes alongside the image
  • With high color space coverage: for reliable color assessment, such as on a monitor for designers
  • With USB-C: a single cable to the laptop, including power supply

For the basics of panel technology, resolution, and mounting, see the monitor guide.

What makes a graphic monitor

Four features distinguish a device for design work from a standard screen:

  • Color space coverage: How much of the sRGB, Adobe RGB, or DCI-P3 space the device can actually display. This value is stated in the data sheet and determines whether saturated colors still appear distinct or blend together.
  • Factory calibration: Some devices come with a factory test report. From the moment they are switched on, they display colors within a guaranteed tolerance.
  • Hardware calibration via LUT: The screen stores the correction in its own look-up table instead of leaving it to the graphics card. This preserves color gradations that would be lost with pure software correction.
  • Uniformity across the screen: For color assessment, it is important that a shade of gray looks the same on the left as on the right.

Which of these features a particular device offers is stated in its data sheet. We are happy to tell you in advance which models actually meet your requirements.

Monitors for image editing: what matters

For photo retouching and image editing, three things matter, in this order:

First, color accuracy. If a skin tone looks correct on the screen but shifts in print, the issue was not the image itself, but its display. Pay attention to the stated color space coverage and whether the device can be calibrated.

Second, resolution. 4K on 27 or 32 inches displays image details without you having to zoom in constantly. At the same time, there is still room next to the image for tool palettes and layers. What resolution means in detail is explained with the 4K monitors.

Third, ambient light. The best screen is of little use if sunlight falls on the screen or a warm ceiling lamp alters perception. Some devices come with a three-sided hood that blocks ambient light.

Calibration: when it is worth it

Not every job needs it. As a guideline:

Your work Calibration
Web and presentations Factory settings are usually sufficient
Photo editing for personal use A factory-calibrated device is a good starting point
Client projects, print approvals, video Regular calibration with a measuring device is advisable
Binding color approval by the team Hardware calibration via LUT, all workstations set up identically

Consistency is key: panels change slightly over their operating life. If you work with binding requirements, measure at regular intervals.

Size and workspace

27 inches has become the standard because the image and tools fit side by side without having to move your eyes too far. 32 inches offers more space if you work with many palettes or compare two documents.

A proven test before buying: Draw the screen area on cardboard, cut it out, and place it where you plan to put the monitor. This will show you in two minutes whether the size fits your desk.

A viewing distance of approximately 1.2 times the screen diagonal has proven effective, so around 80 centimeters for a 27-inch screen. If your desk offers less space, a monitor arm creates the necessary distance by placing the device further back and making the included stand unnecessary. Otherwise, it is better to choose a smaller diagonal than to sit too close.

Two screens or one?

In image editing, placing the original and the edit side by side is a common setup, as is placing the preview next to the timeline in video editing. There are two ways to achieve this:

Two devices keep both views strictly separate and can be positioned independently. For color assessment, it is recommended to choose two devices from the same series so that both display colors identically.

A wide device provides a continuous screen without a frame in the middle, which can be divided freely. How effective this is explained with the 21:9 ultrawide monitors.

Connecting to the laptop

Many of our graphic monitors can be connected to a laptop with a single cable via USB-C, including power supply and a hub for card readers and measuring devices. What matters in detail for docking and charging power is explained with the business monitors; we are happy to clarify in advance whether the charging power is suitable for your device.

Frequently Asked Questions (FAQ)

What is a graphic monitor?

A screen designed for color-accurate display. It differs from an office screen primarily in its color space coverage, calibratability, and display uniformity across the screen.

Which monitor is suitable for image editing?

A device with high color space coverage, 4K resolution on 27 to 32 inches, and the option to calibrate. Whether factory calibration is sufficient or hardware calibration is advisable depends on how color-accurate your color approval needs to be.

What size do graphic designers need?

27 inches is the most popular choice because the image and tool palettes fit side by side. From 32 inches up, it becomes interesting if you work with many palettes or compare documents.

Do I need to calibrate my monitor?

Usually not for web and presentations. As soon as client projects, print approvals, or video productions are involved, regular calibration with a measuring device is worthwhile.

What do Adobe RGB and sRGB mean?

Both are color spaces, meaning defined ranges of displayable colors. sRGB is the standard for web and screen output, while Adobe RGB includes more shades of green and is common in the printing industry. What coverage a device achieves is stated in its data sheet.

Which panel is suitable for graphic work?

IPS, because it maintains colors and viewing angles most consistently. Almost all devices in this category use IPS. The differences between the panel types are explained in the monitor guide.

Do I need a second screen for color work?

Not necessarily. Many people work with one device and toggle palettes on and off. If you want to see the original and the edit side by side permanently, two devices from the same series or a wide format are the right solutions.

Tell us what you work on and how color-accurate the colors need to be. We will check the data sheets and tell you which models meet your requirements instead of sending you through the entire range.

Useful information for the conversation: your field of work, whether you produce for print or screen, any measuring device you already have, and your desired screen diagonal.

Contact us for personal advice →

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We are happy to check which device actually meets your color requirements.

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